The restorations carried out in our workshop respect the know-how of the different eras through which Pleyel has passed. This implies that interior and exterior finishes are, in most cases, incompatible with the care and cleaning products used today. In addition, these instruments, though robust, remain fragile and need to be moved and stored with care. Finally, the musicality of nineteenth- and early-twentieth-century instruments is very different from the aesthetic canons of our contemporary pianos: the materials are not the same, the structures do not have the same limits, and the settings are specific. In a few words, the aspirations of past piano makers, the goals they set themselves in their research into the harmony of instruments and the texture of their sounds, have evolved with the times. Each era has its own piano.
For all these reasons, it's vital to follow the advice below if you want your restored instrument to perform to its full potential for as long as possible.